MILOŠ ZUBAC / МИЛОШ ЗУБАЦ

Miloš Zubac, književnik i muzičar: Jedan grad ne čini samo arhitektura, čine ga želje, snovi, ali i košmari ljudi koji ga nastanjuju Kada ga je, osamdesetih godina prošlog veka, otac Pero vodio u Televiziju Novi Sad, naš današnji sagovornik nije ni znao koliko će susret sa svim vrstama umetnosti koje je tamo zaticao oblikovati njegovu budućnost. Prirodnim sledom se i sam okrenuo stvaranju, ali tek pošto se, tokom bombardovanja 1999. godine, u njemu probudio bunt. Svoj specifični senzibilitet danas ispoljava kroz pisanu reč i muziku, često spojene u kantautorskim kompozicijama. Miloš Zubac rođen je 1976. godine u Novom Sadu, gde se školovao i doktorirao na Katedri za srpsku književnost i jezik. Objavio je osam knjiga , od kojih je pet pesničkih zbirki. Bezmalo dve decenije vodi muzičku grupu Prkos Drumski , sa kojom je objavio sedam albuma, a sarađuje i sa drugim kantautorima i bendovima. Jedan je od ljudi zaslužnih za nastajanje festivala...

Between Garrie’s returning second album 49 Arlington Gardens (2009) and his debut, there was a hiatus of full four decades. The album is a result of occasionally witnessed historical possibility of every artistic generation paradoxically inventing its own ancestors. Making them up if necessary. Finding them in the times that precede them, if possible. Here we have a precious generation of Scottish musicians who chose Nick Garrie as their predecessor that remained unknown to the world. The more unusual the discovered artistic blood relation and the more surprising the family tree, the more valuable the origin. Challenging, inciting and organizing the recording of Garrie’s new songs, these musicians paid back the debt that had never existed in the most beautiful way. They gladly chose to become indebted. Being true fans of Garrie’s work, Norman Blake of Teenage Funclub and Duglas T. Stewart of BMX Bandits, both from Glasgow, had important roles. As an artist evidently admiring Ser...

Here we start from the present, from Nick Garrie’s life and creative maturity, and then we will move on to his youth, opposing the linearity standards in countless biographies and non-fiction music books. The Moon and the Village (2017) is Garrie’s most recent album , and only his third in the last fifty years, which is how much time he could have spent making music under his own name. Jennifer Kelly has written that this album is certainly not going to become legendary or fall into total obscurity as was the case with Garrie’s debut record; she says it is just a very good album by an artist who simply did not have time to make more records. And he has made three so far, as did the melancholic and romantic Nick Drake, anonymous in life and celebrated in death. However, Garrie has had incomparably more time than Drake ever did. There were music interpreters who drew superficial parallels between discographic destinies and artistic expressions of the two namesakes. Garrie himself...